SILHOUETTES & BODY LINES

  It started in 2000 with an experiment, trying to contain resin poured in shallow drawings carved in wood panels and all sorts of wood plates. Once the drawing is carved in the panel it is sealed with white enamel paint and filled with translucent resin. My interest in working with these drawings is in their lack of reference to a particular personality but where the movement, the gesture is the defining element, the identity.

 It started in 2000 with an experiment, trying to contain resin poured in shallow drawings carved in wood panels and all sorts of wood plates. Once the drawing is carved in the panel it is sealed with white enamel paint and filled with translucent resin. My interest in working with these drawings is in their lack of reference to a particular personality but where the movement, the gesture is the defining element, the identity.

"HANDSOFF" Serie.2010-2011. 

Resin cast, enamel paint on wood.18"x18"x1.5"